The past year and a half has proven to be a groundbreaking time for independent R&B artist Jay Solo. The up and coming Jersey singing/songwriting sensation has introduced his listeners to several live performances of records off his latest projects. Club Dolce in Elizabeth, New Jersey and Webster Hall in NYC both awaited the unveiling of what Jay would deem to be one of his biggest performances yet! Performing on the same platform where numerous signed artists have found themselves on was more like a dream that had morphed itself into a reality. The demand for Jay’s appearance can be attested to the rising popularity of one of his biggest singles. “Parts” seemed to have developed into a Twitter epidemic.
It was just a year ago that the word had been leaked into the streams of the Internet world. Contaminating Facebook wall posts and of course the inevitable Twitter posts and trending topics. “I want parts,” which had become one of the commonly used phrases found in the depths of peoples personal profiles in the social network world. Add a catchy hook, a group of fans quoting the lines, slap a hash-tag on top and viola! “Parts” had mischievously maneuvered itself from a mere slang terminology to an overall movement and song. The question that harkened over the thoughts of many though, was what in the Hell is Parts? And how can I get some? Could the word be an ambiguous term that signified the inevitable infatuation of coitus activities done by an R&B artist?
Despite what the word is indicative of, one thing that is certain is that it has spawned into an uncontrollable force locked behind the walls of clubs and lounges across the Tri-state area. Nevertheless, its popularity has only contributed to the popularity of its creator Jay Solo. GSHH chopped it up with the Fly Boy Nation representative for a little Q&A on his career, his performance, and of course “Parts” (pause).
Solo what up?
Jay Solo: What up?
You’ve been doing this music thing for awhile, what’s the motivation?
Jay Solo: The motivation is I want to be a writer, but I happen to have a voice. My motivation is the writing aspect, I respect a lot of writers in the game and that’s what I definitely want to do.
A few years ago back at a freestyle session I saw you sing about three songs you read from your cell and they were mean! Do you write all your records? And what do you utilize as inspiration when writing?
Jay Solo: Yes I do write all my songs. I just go off of my experience. Inspiration for me is past experience and what I’m feeling at the moment.
So let’s talk content… What type of topics do you like to cover in your songs?
Jay Solo: Umm well I love girls (snickers) I mostly do regular R&B, I don’t get out of line of R&B. The girls and the relationships are the inspiration.
You have a strong following, what do you attest to your fan base? And what steps are you taking to ensure it continues to increase?
Jay Solo: I wouldn’t say fans, I’ve always appreciated people listening to my music whether they like it or not. I always hit people back and show love on Facebook or Twitter. I’m grateful, humble, and just a guy trying to pay my bills. That little fan base I need to get more of a following.
You dropped a record years ago called “Spaceship”. I always liked your music but when I heard that joint I said to myself “Jay got it”. What inspired such a powerful impressionable record like that?
Jay Solo: (Laughs) I was going through some things with a chick. She was just saying all these things about me and the relationship. I tried to talk to her but I said to myself “if she not gone listen to me through talking and text; what better way to get at her then write a hit?” It worked (laughs), I never heard from her again and it won’t happen again because shorties know I can come out with a part 2, 2.5, and 3. (Laughs) But yeah, that’s how the song came about, I don’t have to say no names, she knows who she is.
(Laughs) Alright so here’s the million dollar question, what exactly is “Parts?” What does it mean? And how did it start? Let the people know.
Jay Solo: (Laughs) Ohhh “Parts” it happened in the club. Actually “Parts” came from Papoose in his song “Bucknaked” he uses it as an ad-lib (I want parts). One night I was standing next to my boy in the club and he saw a shortie and he was like “I want parts.” Then it hit me, what a better way to talk about sex? Sex is getting played out plus I ain’t want to be rude and say “fuck,” so I just say “Parts”…Parts of ya body. From “Parts” came the “Parts” movement, so why not make a song about it? Now I got local people saying it.
Word you definitely do, so who and what is Fly Boy Nation aka The Nation?
Jay Solo: Fly Boy Nation is about seven or eight of us, a group of friends that stuck together since elementary school. A few years ago we were at my cousin Riv’s crib watching the “Roc Boys” video. We saw the handshake part and I said “that’s fly” and my boy Abe said “fly boy”… we ran with it.
What are some of your biggest records? And what are some new records and projects that we should look out for?
Jay Solo: I think the biggest record was the “Scratching Me Up,” that really hit as the biggest record I dropped. It got me a little more followers and it’s definitely club worthy. I’m finishing up my project called The Project some time in April. Two songs to look out for is “Can I Have That?” featuring Sheed and “Private Dancer.” The project after this one will be called The Project: Unfinished Business.
Bet, I’m definitely looking forward to hear the project. You’ve graced the stage of big clubs such as Dolce and Webster Hall, you’re always well received and have been able to keep the crowd engaged. How are you able to do this? And how does it feel to see fans sing along and rock out with you at your performance?
Jay Solo: Ummm… I mean I just go out and do my thing. I love the feedback especially at Dolce, I thought I was on for a minute (snickers). At this point I’ve been blessed (knocks on wood) by not having any bad feedback or “boos.” It’s a good feeling envisioning something, write it, record it, and perform it and people like it; nothings beating that feeling.
You touched on this earlier in our conversation, but would you prefer to write for other artists and stay behind the scenes? Or do you prefer to write as well as be in the spotlight?
Jay Solo: I really would love to stay behind the scenes and write. I don’t need to be known in the streets but to get the credit for writing for Beyoncé or Chris Brown would be good enough. I mean if given the chance to do both I would take it, but for me I want to write.
Seems like Solo has it all figured out, so the next time you download one of your favorite records it just might be written by the one and only Jay Solo.
Follow Jay Solo on Twitter and be on the look out for all his upcoming releases.
A few years ago, a rapper by the name of Drake took the game and the mix tape scene by storm. Releasing classic projects such as Room for Improvement, Comeback Season, and So Far Gone. Though other artists such as Kardinal Official have brought attention to Canada, Drizzy has done more than carry the torch for his country and has put on for his city like Jeezy and Yeezy by shouting out Toronto every chance he gets. Not only has October’s own popped it off for Canada, but the overnight sensation The Wknd has as well, by doing ridiculous numbers with his mix tapes. So GSHH had to get in contact with the young lady who could very well be the next big artist coming out of T Dot (yeah we’ve gone international). We finally caught up with Francesca the Boss to talk music and the stamp she plans to place on the game.
What up though?
Francesca: What up
So how’d you come up with the name Francesca the Boss and how long have you been a Hip Hop artist?
Francesca: Hahaha… A lot of people ask me that question because of my background. I’m half Italian, I wanted to use a common name like Francesca and “the Boss” is random. Francesca is the main name I ain’t want a common name I wanted to be different. I’ve been rapping my whole life. Public, middle, and high school I wrote poetry. I decided to pursue it as a career when I was 18. I knew I wanted to be a hip hop/rap artist.
What inspired you to delve into Hip Hop/Rap?
Francesca: Okay, honestly what inspired me with hip hop and rap is that they go with art like drawing and dancing. I kept doing poetry and used it to write down my feelings. Every time I would get mad or had a feeling I wrote it down; other influences were people around me they were already doing rap and hip hop so if the guys were doing it I wanted to do it too (right?!).
“I’m really confident so none of that intimidates me you have to be yourself. NO OTHER ARTISTS INTIMIDATES ME!”
It seems like from time to time the game puts a microscope on it’s female counterparts, do you feel an additional pressure as a female in the game? Is there any anxiety?
Francesca: Ummm I’d say no. I guess because in the entertainment industry whether your a rapper or singer you gotta’ have that confidence, but when your portrayed as a sex symbol at the end of the day if you be yourself that’s marketable. I’m really confident so none of that intimidates me you have to be yourself. NO OTHER ARTISTS INTIMIDATES ME!
Definitely respect that. We’ve heard you drop a few lines about your ethnic background which is dope. Do you feel like your Italian and Somalian background effect your music? And in what ways?
Francesca: Honestly that’s a good question (LOL). I think a lot of people expect me to have a certain background. A lot of people don’t know what my background is, people have to guess. Not to sound cocky but I can connect with black or white people and a person of mixed race.
Your visuals are mean from “where you from” to “keep it simple” and “my city”, how do you come up with new and innovative ideas and visions for your videos?
Francesca: Ummm I’m the kind of artist that when I have an idea the director and myself combine it. The videos are fun, when I do the video the director has the idea but the video portrays how I’m feeling.
So you dropped This is my Story a few months ago which was big for you, how did you feel when you completed the project and what was the response from listeners?
Francesca: It was my first tape so I was really happy. I didn’t rush it just because a lot of people wanted a project. I got a lot of feedback, I thought the theme of the project’s cover represents me and the songs represent me.
Being that he is a fellow Canadian has Drizzy’s success been an inspiration for you and who else in the game whether from CA or not has inspired you to make music?
Francesca: Drake is an inspiration for Canada cuz he put Toronto on the map. Not that other people haven’t such as Kardinal. The second part of the question comes from me and what’s around me. When I focus on other people’s music I find that it starts to change mine which I don’t want to happen. If certain things didn’t happen to me in life I wouldn’t be able to pick up a pen and write.
Word I feel that. So what’s a regular day for the Boss?
Francesca: A regular day… I go to the university, I’m in my fourth year of Justice Studies. Other than that I’m working or in the studio or spending time with the family. I’m not like other rappers saying I’m stackin’ money all day. If not that, then I’m shopping and traveling, but that’s a normal day for Francesca
What are the differences if any between the artist Francesca and the everyday Francesca?
Francesca: Honestly with with myself I can be sweet, but on stage I can be real defensive. I really don’t think there’s a difference, like personality Francesca is rude and rowdy and the other is shy, caring, and nice.
So you rep Canada to the death so we had to ask these questions… Blue Jays or Yankees? Vince Carter or Steve Nash?
Francesca: I don’t even watch baseball (LOL)…Oh and Steve Nash.
LOL, okay so Drake, Kardinal Official, or The Wknd?
Francesca: Umm honestly I would say Drake. I mean don’t get me wrong I love The Wknd but I say Drake because I can relate to his music.
What’s next for Francesca the Boss?
Francesca: I’m currently working on putting out a second mix tape pretty soon and finishing a video from my first mixtape. My second mixtape will be dropping soon.
With the combination of unique style, lyrics that reek of confidence, and creative videography Francesca seems to posses the key ingredients to becoming the queen of T Dot and beyond. Check out her latest mixtape This Is My Storynow.
By: Shah A. (@ThaShah)
Our anticipation was at an all time high, while GSHH waited for the incoming call from LA & Pinky. The producer and rapper duo gave us a brief look into their world and forthcoming project, Boardwalk Empire. Though our feelings may seem bias, it’s always a pleasant surprise to listen to a project where an artist and producer team up exclusively as a dynamic duo to release an LP. Call it divine intervention, coincidence, or just plain luck on how LA & Pinky linked up to deliver the new project. As the night came to an end the two artists told us their story and how their latest work is sure to make a mark in the underground game and beyond.
When and how did you get involved in producing and beat making?
LA: When I was 17 my boy came home and got an MPC 2000 XL, I played around on the device made a beat and said “This what Imma’ do.”
No doubt. So what’s your inspiration when composing a beat? Do you sample?
LA: I started off with all samples, but I got tired of it. I wanted to quit, then my homie Twizz showed me Reason. Original beats are the best thing, everything is yours you don’t have to share.
Word. So with that being said, what are your tools for success in the studio?
LA: I use Reason 5 and Pro Tools. I’ve been thinking about Logic, but I like to use actual musicians for better sound.
That’s a really unique way to produce. Producers today can either fall into the depths of being one dimensional, or have the ability to touch upon various forms of music; what genre do you produce for?
LA: (Sighs) Man, I never know what I’m going to make until it’s made. I just go in! But I love hip-hop more than anything.
Okay, what are some common sounds that you incorporate in your beats? And, how much time do you spend in the stu?
LA: I use strings, piano, and synths. I just use whatever, I don’t know what to use I just use it. All together when I’m in the studio I’m there for like four or five hours.
You seem to have a really strong work ethic, has any of that granted you any recognition or possible deals?
LA: Sound Quality studios in Red Bank, New Jersey recording with a bangin’ producer and engineer named Sy, and I’m under a multi-platinum producer.
Cool. So what are some earlier projects you’ve worked on, and what’s the word on this new release we keep hearing about?
LA: Well I did Food For Thought Part 1 back in like ‘04 or ‘05; it was a mixtape for New Jersey artists. I was working on Food For Thought Part II, but I said fuck it to work on the album with Pinky. Boardwalk Empire is the new project that features Pinky. The album title plays off of the idea of being from the shore. We’re thinking outside of the box, we’ve been working on it since mid-November, but don’t have a release date.
No doubt. We can’t wait to hear Boardwalk Empire, how did you and Pinky link up?
LA: Pinky is a rap artist that heard my beats and that’s when I told him about my situation in NYC.
Sounds good. So in the end when all of the work is done, what is LA’s overall goal when it comes to the music game?
LA: I want to take kids and show them how to make music. As long as I can say LA from Asbury Park, New Jersey made it in the game is enough for me.
What up bruh?
Pinky: Peace!
So let’s get into it, how long have you been rapping?
Pinky: I’ve been rapping since elementary school, but high school is when I took it serious once I got a buzz. Around 7 or 8 years ago is when I started pushing for a deal.
No doubt. There are numerous categories rappers can fall into today, which one defines Pinky, if any?
Pinky: Well I try to be as versatile as possible. I use catchy lines, appeal to the ladies, the hood and clubs. I put my own little twist on it and switch up flows.
Okay, so how did the name Pinky come about?
Pinky: It began with battling, the name originated from joking around with my friends then I spit it in a line.
So what type of content can Pinky fans expect to hear?
Pinky: Life’s highs and lows. I’m analytical and the youngest of seven so I’ve experienced different aspects of life. I tell my story, even if they’ve seen what I seen; they can’t convey it like me.
I feel you, so with that being the case what are some obstacles you’ve dealt with as an artist?
Well… I dealt with two independent labels and things didn’t work the way they were suppose to. But shout out to G&G and Mash Music records.
True, so what’s Pinky’s goal?
Pinky: I’m just motivated by this new project.
It appears that LA & Pinky have found an undeniable formula for success with their latest endeavor. The blend of the smooth and catchy bars of Pink doused over the unique and soulful sounds of LA’s production will have everyone taking a stroll down Boardwalk Empire.
As the lyrics of KRS-One spill from the speakers of a Ghetto Blaster, a young boy stands near with eyes filled with amazement nodding to the cerebral sound. This was a pivotal moment in the life of a man presently known as Dane the Beautiful Monster. From his humble upbringing in the wealthy suburb of Fair Haven, New Jersey, Dane’s first encounter with Hip Hop has triggered a multi-decade quest for music prominence.
Born on October 1, 1980 to Ronald and Sheketa Henson in Long Branch, New Jersey, it was only a matter of time before Dane put his right brain hemisphere to use. After a visit to an uncle’s house, Dane wrote his first rap about picking boogers. This humorous account was a small taste of better things to come by the (then) 6-year-old rapper. As years progressed Dane immersed himself into the art of poetry and song-writing. In 1992, he entered the Reader’s Digest national poetry contest and won, but severe shyness kept him from claiming his prize. While making music his primary focus Dane’s four years at Rumson-Fair Haven high school (94-98) was not a display of his full academic potential, only graduating at the skin of his teeth.
Following graduation Dane founded the A.C.R.C. with close friend Corey “Eggy” Birch. The A.C.R.C. served as an acronym for Absalute Carnegie Recording Company, the word Carnegie derives from the famous writer and lecturer Dale Carnegie. A.B.S.A.L.U.T.E. was also an acronym meaning “Anybody sacrificing all life’s useless things everyday.” With his dream to obtain the pot of gold at the edge of the rainbow now tangible, Dane advanced his hustle. He released his first full EP entitled “Most Likely to Succeed” in 1999, a project that received a solid response. Unfortunately, as his inner star began to shine a chain of poor decisions would darken his light. Becoming increasingly disgruntled with life as a “blue collar” worker, Dane used burglary as refuge for his frustration. His sinful ways caught up with him, leading to a conviction of felony burglary, a five year probation sentence, and one week in jail. The ordeal would change Dane dramatically and he solemnly swore to never be in trouble with law enforcement again. He enrolled himself into Berkeley College as a business major and successfully completed three semesters on the Dean’s list while adding long time friend John “Johnny Boy” Morris to the A.C.R.C. family. Johnny Boy’s enthusiasm reassured Dane of what the A.C.R.C. could potentially be with more dedication. Subsequently, Dane decided to leave college to concentrate more on his passion.
“Driving down the road in my half dead hooptie to my dead end job, I wish somebody would shoot me.” The Beautiful Monster’s lyrics are diary entries that expose the trials and tribulations of an aspiring mogul. His diligence allowed him to perform in 100 shows between 2003 and 2006, even at the world famous Apollo Theater in Harlem, New York. Crafty personal financing skills enabled Dane to open the A.C.R.C.’s first recording studio in 2008. However, the biggest moment came in August of 2009 when the A.C.R.C.’s flagship store opened in Long Branch, New Jersey offering a recording studio, print shop, apparel, and other merchandise. The vision of 1998 became a reality as Dane moved to the forefront of underground Hip Hop in the Garden State.
Now, at 31 all of life’s obstacles have shaped a more steadfast man who continues a pursuit for music prominence, with his upcoming album From Ashes Rose a King on the way, inch by inch Dane’s dream of turning pro will presumably come true.
For several years, Cincinnati, Ohio born and Monmouth County raised Los Lee has been on a vicious grind with his music. Needless to say, it was time for GSHH to get an exclusive interview with the Guap Gang representative. As Wednesday night’s weather produced an onslaught of cold rain shower, Los along with his producer, manager and longtime friend JusKev found refuge at one of Los’ favorite chill spots. Over laughs, Buffalo wings and Coronas, and cheers resulting from the intense NCAA basketball game; Los gave us a microscopic look into his career and the inner workings of his newest project Operation Takeover 1.5.
Los what’s good bruh?
Los Lee: Shah what’s good with you bruh?
I’m cool. So let’s get started, for the past few months you’ve been dropping video after video (“Automatic” and “What’s Shakin Ho”) what spawned this influx of productions?
Los Lee: I mean it’s just always been about timing. Kev and I have a lot of time on our hands, Shah feel me? Its operation take over!
No doubt, so that leads me into my next question. You just dropped Operation Takeover 1.5 what can people expect from you on this one?
Los Lee: It’s on Datpiff right now it will be on the front page on January 6 for a week. Aw man, people can expect “real” rap that’s what they’re gonna get. Also high energy, swag and wittiness. (Laughs) Shit we can go all day with this.
Word, I know. What inspired the title Operation Takeover 1.5? How long have you been working on the new project? And what are some tracks and featured artists we should look out for?
“We gone show them that Snooki ain’t all we do.”
Los Lee: What inspired it was the timing man. I couldn’t describe it in any other way…That’s why I’m going to shoot a video next week and keep smacking them. We gone show them that Snooki ain’t all we do. My favorite songs, obviously “What’s Shakin Ho,” that’s my baby man. “Automatic” that features the homies. I got some soulful shit with “How the Game Go” and “High Life,” which features Adonis Star.
How Have you grown as an artist since the release of Welcome to Los Vegas and your album The Patron and Kush Experience?
Los Lee: Aw man, I’ve grown a lot man. Them days we was just doing music, just having fun. My whole mentality has changed; I take it more serious and dealt with things outside of music.
You’ve been at it for awhile now, how have you been able to remain current? And what’s the motivation?
“Aw man, the motivation is these wack niggas getting deals.”
Los Lee: Aw man, the motivation is these wack niggas getting deals. As long as they get love I can too! I stay current because the lil’ homies keep me fresh (pause that too). They keep me up-to-date so I know the wave.
That’s what it is, so what separates Los Lee from the competition?
Los Lee: Aw man, he got me Kev! Uh, you know that’s a good question. First of all, I’m about to go HAM. This is “reality” rap too. Second, my production I got like four or five producers. My team is monstrous, people like Kev (you know what he do) and Gully who are super talented. I got hungry people behind me; my team is crazy, I love my team.
That brings us back to the “Automatic” record. It seems to be getting quite a buzz; it features several artists from the area. How did the idea come about for the song, as well as the collaboration?
Los Lee: Aw man, that’s crazy it wasn’t an idea. Gully hit my phone and said “I got one.” (Laughs) So I get over there and he had one. When I get over there Shah all I hear is the beat and how he snapped on the verse, and I laughed about the hook because of what happened. Then I wrote my verse on spot, then I got Jizzy McKnight (that’s my future), and of course I had to throw my brother Sheed on there to represent his side of things.
Okay we’re big on showing love to Jersey here at GSHH, you seem to rep where you’re from heavily in your rhymes. How imperative is that to you to be a spokesman or ambassador for the Natti and Monmouth County?
Los Lee: Aw man, like I’m really not trying to be an ambassador for the Natti because there are people out there doing their thing. But out here it’s imperative because I been at it for awhile god, Shah you know. I know that good things are sure to come (no homo).
Word, so who and what is the Guap Gang? And how did it originate?
Los Lee: Aw man, Guap Gang is a family bro. It’s a group of close young men that have known each other for a long time and the people that are new are viewed by the people from the core with respect. We’ve known each other for a long time and keep it “G” with one another.
So before we end this interview I noticed you spit about blazing quite often in some of your material. So with that being said… Piff or Dour? Dutch or Relo?
Los Lee: Tss what?! Dour god all day! Relo whaaaat? C’mon god, Dutches are not even in our conversation. (Chuckles) But I actually rolled a Dutch before we came here, (sucks teeth) I was mad as hell. I hate those shits with a passion.
After the debate over who would have the last wing and the bout between Florida and Arizona had come to an end; I had covered some serious ground with Los. His tone and mannerisms were indicative of one who has been immersed in years of hard work, as well as hunger for a career that he knows he is destined for. Though, Los has not reached the pinnacle of his goals just yet, day by day his efforts are showing the public what’s shakin and that is sure to make success automatic.
Check out his latest video “What’s Shakin’ Ho” and for everything Los Lee visit www.LosLee.com
After last summer’s successful tour run in California, New Jersey emcee MoShadee chose to travel across U.S. boundaries and fled to Europe. The illustrious emcee takes a break from interviews, shows and site-seeing to catch-up with GSHH.
“The response was all love.”
How do you feel about France culturally, and did you learn anything about the French hip-hop scene?
France’s culture embodies a lot of respect. All I’ve experienced so far is good vibes. I’m in Marseille and they have the title for Europe’s “Culture Capital,” so I’m just soaking it all in. The French hip-hop scene pays a lot of homage to old school hip-hop. Some adapt to the new sound of today, some don’t.
How receptive were the French towards you and your music?
I’m well received here, that’s what pretty much made the trip possible. The love is crazy as cliché as that sounds. I did two radio shows already. The response was all love.
What have you learned from this experience, and how has it inspired you?
I’m here till December 11. I still have a ways to go, but the trip so far is humbling, really humbling. I’ve been working non-stop since I got off the plane. studio 9 a.m. to 4 p.m. Monday through Friday, running to radio shows, writing and recording (for CM Jones) and shooting videos. This trip let me see the term “working hard” in a new light.
Your close friend Nemo Achida just inked a deal with 88 Keys’ recording imprint. Can we expect you to make a major move similar to his in the near future?
I guess we’ll have to see! It would definitely depend on the situation though. I’m real big on grassroots growth, “leaving it to the people approach.” We’ll see what happens.
Has this been the most rewarding experience in your career thus far, why or why not?
This has indeed been the most rewarding experience with music thus far. One of my main goals in life is to travel to every continent (except Anarctica). This (music) will allow me to do it.
A special thank you goes to MoShadee for taking the time to do this interview. Be sure to check out his latest video for “All Day Ridin” off his EP Dream Livin’.
I guess Silent Knight was not lying when he said that “busy is his best friend,” because the New Jersey native has been just that. On December 9, Knight and The Band Called FUSE will be headlining a concert at Southpaw in Brooklyn, New York with Talib Kweli’s group Idle Warship. The function begins at 8 p.m. and includes an open bar, Knight and The Band Called Fuse will be hitting the stage at 9 p.m. sharp, so get there on time. This is going to be a night of great hip-hop, especially with a lineup that includes Jah C & Jaison Spain, Kyle Rapps and Illustrate. Tickets are only $20, and can be purchased here.
Many artists and producers paint pictures for their listeners. Through metaphors, melodies, and punchlines the imagination of the listener is able to take full advantage and draw from these ideas. Fans are able to construct an image that has been described by the artists and once that image is captured the true art in the music is apparent. GSHH was able to catch up with Shiz, a rising producer and artist from the Jersey Shore. Not only, is he figuratively painting a picture with his beats, but Shiz is doing it in a literal sense as well with the help of his artistic design.
Who is Shiz?
Shiz is a chill, talented, God fearing, young man that is in the pursuit of success.
What inspired you to produce and make beats?
Growing up, my mom would always be blasting music on her days off. While she listened to her old school type artists like Earth, Wind & Fire, Prince, Luther Vandross, and Teena Marie, I’d be in my room listening. What I started noticing is how I would be listening to the songs, but tried to re-create the sounds in my head to sound like the songs people of our generation were currently listening to. That along with a handful of my friends that also produced inspired me to begin making beats, because I felt like the tunes I was creating in my head would sound cool in a physical form.
What inspired you to become an artist and graphic designer?
I was always able to draw as a kid, I remember having drawing contests with some of my classmates in grammar school, but I looked at it as a hobby at the time. Time goes on and the movie “Toy Story” comes out and it completely blew me away! Ever since then, I looked at art in a totally different way and that really inspired my vision on art and the way I look at things in general.
If you could only do one out of the two, would you choose producing or drawing? And why?
Tough question, but I would go with drawing and designing. I feel that with art and designing I can reach many more outlets throughout the world, thus having my vision seen by many more people.
Does your artwork influence your beat making and vice versa?
Absolutely. When I’m in a creative zone, I’m usually doing both at the same time. Like if I’m gonna go make a beat, I have an image and setting I’m trying to create for the audience. That eventually leads to me sketching, drawing, and designing that image.
So how long have you been on your grind with both art forms?
I’ve been drawing since I was a kid, and I’ve been making beats off and on since ‘05
We checked out the site and the art work is mean to say the least, how long have you been constructing and working on the site?
Glad you digging the work, the site took me about a week to fully put together, and the artwork on there is from my entire college career and some freelance work I did either during or after college.
So what’s shiz’s overall goal when it comes to all the work you putting in?
I have a couple. One is for the world to see and hear the world from my perspective, and whether you like it or not, at least be able to comprehend what it is that I’ve been blessed to do. Also, I wanna either work for or build my own design studio, where we create animated games and/or movies. For example, in the future I wanna release on a regular basis a movie like “Shrek” or create a game like “Streets of Rage” and have all the artwork and beats created by myself and my design team.
Thats dope! So what’s your tools for success? The MP, keys, Fruity Loops etc?
When I first began, I was using FruityLoops, and then later I picked up a midi keyboard and started using a program called Reason.
Any specific tags you use on your beats? If so what is it?
Nah, no tags. Just straight music homie.
No doubt, are your beats strictly Hip-Hop joints or do you reach out to other genres as well?
As of now they’re all Hip-Hop but I’m down to do any type of beat that comes to my mind. I usually make beats based on how I’m feeling at the time, so music for different genres definitely can happen in the future.
So we know that you went to school for graphic design, how has your work grown since you walked the stage and got that degree?
(Smiles) It’s funny you asked. At my current job, I’m a graphic designer for a construction tool company. When I first got the gig, I came in trying to wow the boss doing all this fancy artwork and such, but that didn’t work out to well. The boss wanted me to tone it down and at 1st I didn’t like it one bit, but I learned how to channel my creativity into a basic form. Using this method has further taught me how to use basic art forms such as words and letters in a productive and creative way instead of all these vibrant colors. It really is the true definition that “Less is more.”
Who is the one artist you would love to hear on one of your tracks? Why him?
Well, Jay-Z is my favorite artist of all-time so it would be a dream come true if he were to spit on one of my beats. I actually have a beat in my archives that many people have not heard that I think would give off the same vibe as the song “Party Life” on the American Gangster album. But hey, only God knows.
I feel you, what can the people expect from the site in the future?
Casual art and beat updates. Also I’ve been wanting to make a short cartoon to go along with a beat tape, hopefully I get to that soon. Once it’s done, that will certainly go on the site.
I’m looking forward to that, are you affiliated with any team or group or are you dolo?
I’m dolo right now. I’ve been affiliated with groups in the past, but I think my work ethic is better fit for a dolo approach.
So we gotta know who’s in Shiz’s iPod and getting heavy rotation in the v?
I listen to a lot of artists man, I love music. Right now, J. Cole gets a lot of spins, a group called Little Brother out of North Carolina. Kendrick Lamar, N.E.R.D. , Royce Da 5’9”, Joe Budden, Talib Kweli. I have a wide range of artists that I like to listen to.
So a lot of producers have one artist under their wing that they bless with the beats, are you taking that same approach? If so who is it?
I got a younger cousin that goes by the name of Pledge or AayRon, (I’m sure you’ve heard of him) that I’m always talking music with. I’ve made beats for him, and pretty much put him under my wing because he now produces himself. He’s come a long way and has made a lot of progress. He swears he’s famous already. I look forward to what he has in-store for the future.
You’re a double threat, because you produce and draw. Do you think that gives you an edge over others in the game?
Figuratively speaking, I would say yes, because two is better than one in most cases. But I’m not really in competition with anyone, I’m just doing my own thing, staying focused on achieving my goals.
You mentioned J. Cole earlier and he is another double threat that produces, what did you think of the production on Cole World?
J. Cole is currently my favorite artist. Dude can really rap, and tells a lot of real life stories. He reminds me a lot of Pac with his story telling ability. As far as the production on the album, I thought it was good, and I have to give him a lot of credit for taking a risk of putting out an album that was produced 90% by him. In the future, I hope we get to hear him on tracks produced by super producers like The Neptunes or Just Blaze, just to see if his rapping ability is better suited for his own beats, or beats by those guys.
Is there anything specific you always incorporate into your drawings or is it something new all the time?
Nah, I don’t incorporate anything specific into my artwork, but I do have a method in the way I go about constructing it. For example, if I’m gonna do a logo I’ll brainstorm and sketch it out, then I’ll take a break and go do something completely different to clear my mind off it. Then I’ll go back into it and see if I can enhance my original idea.
GSHH can’t wait to see what Shiz has up his sleeves next, but until then we’ll be checking out his site shiz86.wordpress.com.
Chase “Money” Carter is a man with a plan. The New Jersey native has been banging out beats for various emcees throughout the state for quite sometime. And, after creating his production company Bang Musik in 2009, the kid with hard knocking instrumentation is ready to take on the music world. Spare a few minutes, as Garden State Hip-Hop talks New Jersey hip-hop, sampling, and musical influences with the rising producer.
“When my beats get played, they make people say “THAT SHIT SLAPS.”
GSHH: How would you describe your sound, and what producers have inspired you?
Chase Carter: My sound is hard knocking, heavy hitting production. Although I go with however I’m feeling, and don’t stick to one type of melodic sound or tempo (i.e. trap music or dirty south), I always make sure to implement a rockin’ beat to complement the melody. It’s uncategorized, I like to experiment with different style. Versatility is a valuable key to progression as a producer. When my beats get played, they make people say “THAT SHIT SLAPS.” At the same time, they slap the sense into everyone listening and make them say “This guy is talented.”
Chase Carter: Producers who have inspired me are Dr. Dre, Quincy Jones, Timbaland, Lil Jon, Pharrell, Swizz Beatz, Just Blaze, The Alchemist, Curtis Mayfield and Isaac Hayes.
GSHH: You’ve worked with several artists we’ve featured on our site. What are your thoughts on New Jersey hip-hop, and where do you see it going?
Chase Carter: I feel like it all depends on Jersey. It is immersed with a diverse array of artists. Some go for an old school hip-hop feel, which seems to be becoming popular again. Most are going for that current flavor, simple and catchy. Others are branching out and doing a mixture of genres such as hip-hop and pop, hip-hop and reggae etc…it makes them candidates for exposure across the world. Recently, there has been a spike of artists that rap over Jersey Club. The transition has gotta them popular within Jersey and elsewhere. Those songs are usually catchy and simple so they pop off quickly, which allows the artist to get a good buzz. I feel that any artist with hype energy and dope or catchy beats are bound to go somewhere far.
“Some people shouldn’t be called producers by the way they sample, the beat sounds like the song they sampled from.”
GSHH: What are your thoughts on sampling? Is it used too often, or have producers managed to become more creative with it?
Chase Carter: I’m a firm advocate of creation by any means necessary. However, I try to stay away from sampling as much possible now when I produce. I want full rights to my creations when it comes to licensing or selling a beat. I also want my original beat to have more value. Some producers are very good with their sample use, making its origin unnoticeable. Some producers have dope samples, but it is easy for another to recreate. Some people shouldn’t be called producers by the way they sample, the beat sounds like the song they sampled from.
GSHH: What is Bang Musik, and what made you start the company?
Chase Carter: Bang Musik was given to me. It has this name because I have “bangin’” beats. I started the company in 2009, because I wanted to have my music serve artists of various mediums (radio, film soundtracks, movies and television). When the money came, I didn’t want to have to answer to anyone or cut a percentage, unless they were a manager or lawyer. I still strive for that today.
GSHH: What is your favorite Hip Hop album judging by its production value?
Chase Carter: That’s a good question, hard to choose one. I would have to say, Jay-Z’s Kingdom Come and Timbaland’s Shock Value I & II.
GSHH: There are so many producers trying to break into the industry, what separates you from the others?
Chase Carter: Hustle, experience, belief, talent, creativity, versatility, willingness to network, willingness to put countless hours into my craft and distribution.
GSHH: What should New Jersey hip-hop fans look forward to from Bang Musik in the near future?
Chase Carter: The continuation of my web series “In House Bangas,” which shows me making beats in my in-house studio. In House Bangas the mixtape, and a collaborative mixtape with Amazing D-Boy.
Chase Carter: I’m also still pushing my single “Get Your Stroll On” and releasing new beats on my website www.BangMusik.com.
Posted: August 13th, 2011 | Author:Rodney C. | Filed under:Articles, Unsigned | Tags:Kwab Aka Y.e.S!, NJ, Shah A. | 5 Comments »Kwab’s EPK came as a bit of a shock to us at GSHH, anticipating the typical sound and vibe found in many underground Hip Hop artists today; Kwab offered a refreshing change. For that reason alone we are excited to bring you this brief preview on what you can expect from him on his next project.
The EPK includes seven tracks that Kwab AKA Y.e.S! put together in order to give fans a preamble to his album. The project offers a very unique sound uncanny to your average rap record. The production is one of the best parts of the project. It clearly allows Kwab to explore every sound on the track, giving him the chance to delve deeply into his poetic side. He touches upon a lot of topics that hold substance, such as him being unable to find the correct words for his Grandmother’s eulogy. Kwab presents a sense of irony by going on to say that despite his inability to write quality lines on a beloved family member, he still was able to come up with dope lines for a song.
Occupied with having meaningful lyrical content, Kwab does not lose site of grabbing listeners’ attention with punch lines. Lines like “fly nucca, what you scared of heights?” offers a bit of a change to the usual flow that is heard throughout the EPK. In no way is Kwab the stereotypical Hip Hop artist; tracks like “c’mon” have a Will I AM Black Eyed Peas aura to it. His sound and flow is completely different, but the EPK still follows common trends instituted in Hip Hop today. For example, Kwab offers a joint for the ladies entitled “give me love” which features D.E. who can be heard throughout a few tracks from the project.
While seven tracks is not sufficient to draw an overall conclusion on the ability and future of Kwab, first impressions are essential in an industry that is quick to love you in the beginnig and dismiss you like yesterdays news in a heartbeat. With that being the consensus, Y.e.S! has gotten off to a pretty good start with this EPK, which has definitely raised the bar for his material for his album. We can’t wait!
Listen to Take It All Away by Kwab aka Y.e.S!
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“Kush stay rolled up, pockets full of fast money shirt say Slow Bucks”. This may have sounded to listeners as just another catchy bar rapper Juelz Santana spit on a track. Yet, despite its creativity the line had fallen into a HOV like concept, while Santana made it a hot line, two determined and ambitious young men have made it a hot company that has gained an immense amount of respect in the Hip Hop game. SlowBucks.tv is a website/company that is dedicated to aiding underground artists rise from the depths of the underground Hip Hop scene into the flow of main- stream Hip Hop. This is a task that is far from being rudimentary to say the very least. However, it is one that both creators Winslow and Rodney have fully embraced and it is their attitude in regards to the company that has granted them such a great response from the industry and those involved in it. Through the numerous phone calls, excessive emails, and last minute meetings the creators of SlowBucks still found time to chop it up with GSHH, in order to expound upon what they’re doing and why it has created such a powerful response from those who have become acquainted with SlowBucks.
Despite the hectic work schedule for the SlowBucks creators, it appeared to be another day on the never-ending grind. The tone from both gentlemen seemed to be calm while laced with a hint of fatigue. It has been two years since SB slithered their way into the game, but Rodney and Winslow reminisced on a time when SB wasn’t even a thought. It seemed like just yesterday when Rodney AKA “Bucks” was in the sixth grade following around his slightly older counterpart Winslow AKA “Slow”. The Queens, New York natives had formed a life long friendship that had inevitably paved the way for them to construct a successful Hip Hop based business down the line. Although, their bond was not formed off of the premise of establishing a business, it was the characteristics of their relationship that laid down the foundation on how SlowBucks.tv is ran today. Ironically, Slow was always on the move a depiction that clearly contrasted with his nickname, nevertheless his younger counterpart Bucks built off of every move that he made similar to a game of chess. Their collected efforts resembling a symbiotic like process has always granted them some form of prosperity even if it was on a miniscule scale. Couple their own intuition and business savvy attitude with a tight bond that Slow had formed with rapper/mogul 50 Cent and eureka! Constantly associating and consulting with legendary DJ’s such as Clue and Who Kidd as well as big time industry constituents such as Steve Stout had begged the question for Slow and Bucks; what can we do with these resources? Intuition had struck and left a mark of ideas and concepts that would form what people know today as SlowBucks.
Though it is quite obvious how the name was created, a combination of both Rodney and Winslow’s nicknames had given birth to the title. If you are ever watching MTV or BET entertaining yourself by viewing the latest Hip Hop videos, the SB shirts aren’t hard to spot. Yes you guessed it that is a snail with a fitted on its head and a dollar sign on its back. A swagged out Helix aspersa commonly known as a snail had become the mascot and logo for SB. “Move at a steady pace but don’t get ahead of yourself, we chose the hat because I love hats and a snail is the slowest thing moving”, said Bucks as he explained the inspiration behind the logo. The shirts were originally pressed as a promotional tool utilized by SB to spread the word about the site. The basic silk screen designed that had found its way onto music video sets across the country had become an instant fashion trend. The color scheme found in the tees correlate with a lot of popular sneakers and other articles of clothing causing the SB tee to become the icing on the cake for an outfit. Now artists from Waka Flocka to sneaker head Wale and even R&B sensation Chris Brown have been throwing on the latest SB design. But SlowBucks is far from being a clothing line nor can it be defined as your typical fad that will keel over and die by the next season.SlowBucks is a platform designed for unsigned artists to get prepared, educated, and guided on the whole process of dealing with a label. Both Slow and Bucks gave their depiction on the game and how a lot of artists who are novice to the mechanics of the industry unfortunately fall short because they are not knowledgeable about the different aspects of the music industry. The website gives artists an opportunity to market and promote their music as well as themselves as artists at an affordable rate. While both give respect to other sites who offer parallel services, Slow and Bucks stress the fact that they are aiding artists from a financial standpoint as well as giving them an opportunity to gain full exposure for their music projects; solely giving focus to them and not being over shadowed by aspects that do not relate back to music on the site. In fact, SB just finished their first of many contests in which the artist wins $100,000, which is part of their Artist Development deal. Up and coming rapper J-Lie was the first winner and in the next three months SB will be picking another lucky artist for this competition. If that’s not enough SB is also giving striving artists a chance to be featured on an official mix tape released by SlowBucks, which will be hosted by a big name DJ.
Not only do slow and Bucks work diligently to improve the future of artists trying to make it. They also have become a major attribution to big name artists who have been reaping benefits via the music industry for years. SB has solidified close connections with popular artists and DJ’s. These groups have deemed the two entrepreneurs as the “go to guys” when work needs to be done. “Who you know will get you in the door, what you know will determine how long you gone last”, said Bucks confidently. Slow and Bucks have become extremely influential in the music that comes out today in Hip Hop. How many fans listen to a new track and pose the question, who got these artists to do a collaboration? For those who are sticklers for details, the answer to that question can transition from a want to an out right necessity. The answer can be summed up in two names, Slow and Bucks. Both men have become a direct liaison between rappers. Their work resulted in the hit record “Beamer, Benz, and Bentley” by Lloyd Banks and Santana. They also are responsible for the newest street anthem by Capo Jim Jones “848” which features Santana and Brick Squads very own Waka Flocka. Regardless of their influence on mainstream artists, Slow and Bucks never lose site of their goal to help up and coming artists, which is why they were able to get R&B artist Nyemiah on stage with Jim Jones at Summer Jam 2011. Her performance for doing the hook to the new single “Everybody Jones” has sparked a major interest in her music and now she is working with Capo on a new track.
Beyond the flashing lights and glitz of being intertwined in the fast paced music industry, Slow and Bucks still find time to create a balance within their hustle. Not neglecting the remembrance of their humble beginnings and remembering the community has excavated a once undiscovered aspect of SlowBucks. They are currently working on an Increase the Peace project with respected activist Erica Ford, along with Russell Simmons and of course Jim Jones. “We want to be the people that influence the people, to let them know that it’s cool to do right,” said Slow. Slow and Bucks feel that it is imperative for them to use their influence as a means to make a positive change in their community. Understanding that negativity does not just reside within the perils of the five boroughs of NYC, the company plans to take their community service internationally with a trip to Haiti with Juelz Santana. Compiling a list of the various feats that Slow and Bucks are achieving would include production assistance, artist marketing, community intervention, and the list goes on and on. It would appear as if the two have become Renaissance Men from a Hip Hop standpoint. “It’s not work, its fun to us,” said an excited Slow. No matter how Slow and Bucks label what they do, it most certainly has made an impact on the Hip Hop scene, from the looks of things salt wont be slowing this snail down any time soon.
Posted: June 27th, 2011 | Author:Rodney C. | Filed under:Articles, Unsigned | Tags:Alph Ghost, NJ, Shah A. | 1 Comment »June 17, 2011 marked an historical date for rapper Alph Ghost. The Manchester, New Jersey native found himself the center of attention at the infamous Stone Pony in Asbury Park. Greeted by inquisitive fans pondering over what songs he would perform, Ghost took a deep breath and began one of the most important shows of his career thus far.
It wasn’t always punch lines and metaphors for Alph Ghost. Nor was it developing song concepts and catchy hooks. Instead, Alph found himself navigating through Pro Tools engineering for other rap artists that he was affiliated with. But after years of editing the men behind the microphone, Alph decided to try a dose of role reversal. A decision that was ignited and inspired through pure ambition turned into a life change. No longer was Adrian going to be known as A the engineer, instead he began to brand himself as Alph Ghost the rapper. Alph referring to the first letter in the alphabet and his government name, while Ghost was a title inspired by his appreciation for rapper Styles P AKA “The Ghost”. Couple that with the characteristics of the paranormal family member Ghost, which signified that nobody in the game is seeing him, “nobody can see me, I’m number one”. Being a member of ATM and founder of his own team Ghost Squad, AG had developed the morale support that would act as his spinal chord through his Hip Hop endeavors. The migration from engineer to spitter may have made The Gold Rush look like a field trip, but it is a challenge that Alph has embraced.
Real life had set in for AG and it was just the motivation he needed to turn his rap career up. While some up and coming artists don’t have their priorities straight and are remiss in their responsibilities, AG has strategically used them to push him harder. In terms of rapping or a music career in general despite the genre, for lack of a better explanation AG started a little late. Now age 24, Ghost has been rapping for two years and refuses to allow his tardiness to be a hindrance to his future in the game. So now its work and music everyday, the studio has virtually become his second home and Ghost would not rather it any other way. “I do this cuz it feels like this is what I’m suppose to do, like I was put here to do it”. From creating tracks about the streets for the hustlers to talking smooth to the ladies; Alph is attempting to ride across all avenues with his songs. “I try to relate to everybody from the streets to the females. Everything I spit is 100, I keep it 100 with everyone”. Knee deep in the game, AG is on his third mixtape and doesn’t plan on slowing down any time soon. The release of his third mixtape Industry Breakdown on June 1 sparked his inevitable appearance at the Stone Pony opening up the show for MMG’s Meek Mill.
The show was AG’s way of enjoying the fruits of his labor, while acting as an indication of how in just two years his career has improved. The forum was not what AG had grown accustom to over his two year tenure in the game. Although the soul of his performance had grown numb to the same aura and vibe that the majority of his venues offered, the Stone Pony was a completely different experience. “It felt a little more professional, it was a better look. I looked at the footage and it made me feel like I was doing bigger things; the Stony Pony is a classic place”. Snap back to the side, Alph pounced on the stage rocking out to his own remixes of “9 Piece”, “Moment 4 Life”, and “Up All Night”. After hyping the crowd with notable industry records, Ghost reverted back to his newest project performing “Where You Wanna Go” with Haze, “You Are It” and “Work” feat. Rodamezz. “I want the crowd to see that I’m hungry, comfortable, and I want them to interact. I want to set a standard for a good show”.
Though the show acted as a major step for Alph, he has not designated that as the pinnacle part of his career. The grind didn’t stop at the Stone Pony for AG, but his show has become the ember in his flaming hustle. Fans can expect to catch Alph Ghost shows in Seaside Heights, Neptune, and other locations across Jersey. Industry Breakdown continues to get downloads on DatPiff and is the preamble to his album entitled The Hottest Unsigned, which is set to drop at the end of the summer; with all that in his line up Alph may be one Ghost that people won’t regret checking out.
Earl Sweatshirt’s 2010 masterpiece Earl was one of the best albums to drop last year. From beginning to end Earl’s explicit and eloquent rhymes mesmerized his listeners. The album is filled with vile and obscene lyrics that will even put Insane Clown Posse to shame. Earl had several standout records, but track 9 in my opinion proved to be the most noteworthy.
“Pigions” is a humorous and bizarre tale consisting of kidnapping, masturbation, and Ritalin regiments. Driven by the marvelous production of Odd Future’s own Tyler, The Creator, “Pigions” proves to be the rawest cut off the album.
Earl takes the microphone by stating, “Welcome back to class bitch, grab on to your glasses, it’s Odd Future leaving even niggas in past tense.”His commanding but relaxed vocals are what I’m most impressed by.
It’s safe to say Earl has mastered the art of internal rhyming with comical lines heard on “Pigions” such as, “She calls me fantastic, I call her a fat bitch.” Still kill the pussy, put the cat in a casket.”
The manifestation of Earl’s wit is further displayed on the songs hook with assistance from Tyler, The Creator. The wolves howl, “Wave high to the Ritalin regiment, double S shit, swastika’s on a letterman.” “Hungry wolves at the door, bitch, let us in, kill ‘em all, O.F. is what I represent.”
Verse two gets even darker. Here, Earl shares the experience of kidnapping a 17-year-old girl with the same dancing ability as the Jabbawockeez. He walkie-talkies fellow Golf Wang comrade Tyler, The Creator hoping he’ll consider picking up his victim. In a nutshell Tyler tells Earl to fuck-off and proceeds to masturbate unflinchingly, while the phone rings.
Earl welcomes listeners to settle in Satans cabbage patch and to peep the crystal method on the songs final verse. He continues to dazzle us with the exceptional internal rhyming ability, often drawing comparison to masked emcee MF Doom.
In essence, “Pigions” is great example of how creative and complex OFWGKTA is. And yes, Tyler we do believe you, Earl can fucking rap.
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By: Shah A.
Hot 97′s Summer Jam 2011, proved to be one of the craziest concerts the hip-hop world has witnessed since 2010′s edition. With 60,000 fans waiting eagerly to see some of the industry’s biggest names, GSHH couldn’t miss this one! With an enormous buzz and a ridiculous fan base, how could the show not open up with PA’s own Wiz Khalifa? The medicinal co-signing rapper graced the stage in a manner that only Summer Jam would awaken within the young star. Performing hits such as “Black and Yellow”, “Roll Up”, “Taylor Gang,” and many others, Khalifa let every fan know what they were in for on this past Sunday.
The momentum continued as the performances went from the east coast
Pennsylvania representative to one of the newest ambassadors of the
south, Waka Flocka. Gucci Mane’s protege was well received by the
crowd after he performed some of his biggest records such as “It’s a
Party” and “No Hands” conveniently bringing out MMG member Wale for his
verse; which seemed to be the icing on the cake for the performance.
The show transitioned from the energetic and pulse pounding
performance of Waka, to a relaxed tone set by Loso. Accompanied by his
brother Paul Cain, Fab hit the stage with a live band, which was a
nice innovation that a few artists incorporated into their set.
Funeral Fab took the Meadowlands on a voyage through Loso’s Way, TNC2,
and The Soul Tape. The surprise guests didn’t stop with Wale, as Loso
brought out R. Les for their “Everything, Everyday, Everywhere” joint.
Summer Jam continued to keep it NYC with the following performance
done by G-Unit’s punchline king Lloyd Banks. Blue Hefner took the
crowd back to the album that had solidified him as a solid solo
artist. Banks opened up with the intro from The Hunger for More and
the crowd went bananas! The reaction definitely acted as an indicator
of the impact his 1st album had on hip-hop fans. Talking to the
thousands of fans yearning to hear more records from his repertoire,
Banks stressed that he wanted to focus on the tracks that made him the
rapper he is today. After performing bangers like “Warrior” and “On
Fire,” he was done with the classics. Banks then went into The Hunger
for More 2, which lead to several surprise guests popping up on the
scene. YMCMB’s Lloyd performed “Go Shawty,” which was proceeded by an
acappella performance of his new single “Lay It Down”. Def Jam’s
Jeremih performed “I Don’t Deserve Ya”, while Fabolous and Swizzy
blazed the stage for “Start It Up”. By far the craziest part of
Banks’ set is when he showed his love for his Queens roots and
brought out Mobb Deep; who performed classic records such as “Shook
Ones” and “Quiet Storm”. Fans were able to see a blend of both new and
old school artists on the stage rocking out together simply for the
love of hip-hop.
As the show progressed the performances got longer which allowed Chris
Brown to go all out on his set. Opening up with a monologue dance
performance, he had already captured the breath of spectators. Breezy
did new and old records and shut down the building with “Look at Me
Now” with Busta Rhymes and “My Last,” which caused
the inevitable appearance of D-Towns’ own Big Sean! From showcasing the
infamous Dougie to giving a girl a lap dance CB left the crowd
stunned. Dipset also put on a show performing classic records for
their devoted fans that resided amongst the crowd. Of course, Cam
brought out Vado and after Santana did a few of his hardest records
Jones finished strong bringing out Maino, Travis Porter, and Olivia.
The anticipation was at an all time high for the return of Lil
Tunechi to the Summer Jam stage! “If you fuck with me like I fuck with
me, then make some noise,” said Lil Wayne as he peered into the eyes of
60,000 strong. Weezy along with a live band performed some of the most
notable tracks from The Carter 3. He also did tracks from rebirth
such as “Pick the World Up”. Bird Man came out for “Fire Flame
Spitters”; while Tyga, Jae Millz, YMCMB president Mack Maine, and
Gudda Gudda all flooded the stage. Lil Twist also came out and
performed his new single with Weezy “Love Affair” and Corey Gunz came
out for “6 foot 7 foot”.
If that wasn’t enough Drizzy and Khaled hit
the stage for “I’m on One,” which lead to the introduction of Rozay!
The Boss went from Teflon Don all the way back down to The Port of
Miami. Diddy found his way to the stage for the “O Lets Do It” remix
and a Biggie tribute in which he made the entire crowd spit a Big verse.
It was only right to show love for Pac as well, as Ross conveniently
brought out newest member of MMG killadelphia’s own Meek Mill for
“Tupac back”.
The show wrapped with Wale coming back out for an
encore for “600 Benz” along with Jadakiss. From the countless surprise
guests to the phenomenal spinning of hot 97 DJ’s and unforgettable
performances Hot 97′s 2011 Summer Jam was one for the books.
Passion and determination are two words that define Kenneth “Proph” Bernard. The 24-year-old emcee has endured many obstacles in his life from the unexpected birth of his daughter to nearly being gunned down in the streets of Long Branch, New Jersey. These experiences have shaped a hip-hop talent whose rhymes infuse elements of jazz, neo-soul, and alternative hip-hop music.
Proph began experimenting with the art of rapping and songwriting at age 10. His poetic expression was long resented by his father who felt the lyrical content was meaningless and too explicit. At his father’s disapproval Proph continued to create music, then an opportunity to record his thoughts presented itself. During his sophomore year of high school Proph joined a local hip-hop group called “The Franchize.” The group released two projects showcasing their youthful edge and raw rhyming ability, but would disband the following year.
Although the disbandment of “The Franchize” gave Proph a brief dilemma his determination willed him to continue on his pursuit for music prominence. After earning money to book studio time at local recording platforms, Proph released two solo mixtapes entitled “Welcome to My Block” and “The Prequel.” The mixtapes were received warmly by listeners and earned Proph live performing gigs opening for Paul Wall, Lil Boosie, and Young Dro.
With his rap career slowly blossoming he would be derailed by the unexpected birth of his daughter. The pressure to benefit from his craft quickly increased under the demand of being a provider for his newborn. Proph alongside his cousin and fellow rapper “Lottazay” formed a music company and group called Fam Music World. They would begin work on their first project entitled Bachelor Pad, presenting a more cross-over and mainstream hip-hop sound. Shortly after Bachelor Pad was released Fam Music World received a management contract offer from EMG, a division under Virgin Records.
However, EMG and Fam Music World could not reach an agreement that would benefit both parties so the deal dissolved. The feeling of having a window of opportunity closed, Proph became disillusioned with music and the possibility of signing a major recording contract. The demise of the EMG deal and hip-hop music being his only source of income, Proph began hustling drugs to provide for his family.
Life in the lucrative drug trade is often a dirty game; unfortunately he learned this the hard way after nearly being killed during a set up attempt. Unlike most rap artist today, Proph did not use this experience as a gimmick to establish street credibility or an aura of toughness. Instead, he used it as motivation to improve he and his daughter’s life.
A second chance and a fresh surge of energy stirred Proph back into the underground hip-hop scene. After receiving a phone call from longtime friend Dane “The Beautiful Monster” Burton in March of 2009, Proph decided to sign an indie deal with his ACRC imprint. The decision proved to be wise, his transition to the ACRC was productive and life changing. Under the brotherly guidance of Dane and a new role as the company’s flagship artist Proph’s work ethic skyrocketed. Within months of joining the ACRC he released three impressive mixtapes “Elevator Life,” Moet & EZ Widerz,” and “Flight Delayed.” These projects have sold over 500 independent units and earned him a number one record on the SoundClick.com indie charts.
Proph continues to distinguish himself from other underground hip-hop artist with his obscure beat selection and lyrical prowess. His sound blends your favorite Soulquarians record or any renaissance era jazz solo embedded with true hip-hop wisdom.
Still, with such a long journey ahead of him and dreams of fulfillment still in sight Kenneth “Proph” Bernard is truly ready to thrive in the music world.
Download: Boy to Man (Life) off Proph’s debut album Death of Posers coming Fall 2011.
The Coldest Winter Ever seemed to be a title that rapper A. Lewins could not only relate to but feel as well in the depths of his heart and soul. No, he was not living out the story of Sister Soulja’s award winning novel, but coming to grips with the one thing that we cannot avoid in life, death! The winter of 2010 had presented both gain and loss for A. Lewins and his three -man team. From performing at several high-profile NYC venues to recording hits at the infamous Quad Studios, the trio seemed to be unstoppable. Although his career was beginning to blossom, A. Lewins would experience a major setback on Feb. 28, 2010.
Eyes red filled with anger, confusion, and the occasional tear A Lew peered at his brother from another/in house producer unconscious in an ICU bed. What had caused the still free assailant to shoot Ebonikz? Causing a bullet to hit his lung, liver, spleen, and stomach. Was it the fame? Was it money? Or was it just hatred? The young artist pondered over these questions during his daily visits to see his brother. Despite the fact that doctors and surgeons questioned the possibility of Ebonikz living, he had proved them wrong, by making a 100 percent recovery months later.
Adversity is defined as being an unfortunate event or circumstance. Those who are able to overcome adversity are able to separate themselves from those who allow it to demolish and deter them from accomplishing their dreams. That was the battle that Lewins was experiencing on a daily basis. The night of the shooting was suppose to be the usual Quad Studios recording session, putting the final touches on his new album The Prelude. However, plagued with questions that only a higher power could answer only slowed Lewins down at first. What would have happened if Ebonikz were alone that night? Would he have made it? These were just a few of the numerous questions that A Lew had asked himself. Let nurses tell it, it would not have been the same outcome for E had he been alone that almost fatal night. It would have been difficult for A Lew to muster the courage to continue to make music had E died. “Honestly if I would have lost him I don’t think I would have been able to continue. That’s my brother and music partner, we have been a team since I started taking my music career serious. When it happened I couldn’t function, so making music was out of the question”, A Lewins said. Yet, Ebonikz had been given a second chance, a chance that A Lewins has refused to take for granted since the day Ebonikz made it out his life deciding surgery. “He made it and now Im putting 250 percent into my music and have been getting back exactly what I put in”, A Lew said.
The opportunity of continuing life had birthed Den 43 Studios. Which was put together by Lewins along with his team. Lewins had invested all he had in the studio running off of the premise that it would be beneficial to him, also it would give his brother a safe haven and top of the line work place. It has been non-stop grinding for A Lew. Since the day that Ebonikz came home, he has been dedicating his life to his music. Picking up where they left off, a few months following E’s return A Lew dropped his second album The Prelude on October 9, 2010. The album has proven to be some of his best work thus far and has deemed him one of the hardest working unsigned artist from his area. “The growth from my first project to now has been mind blowing! When I completed my first album I was signed to a label that really had a lot of control of my career. After getting out of that situation, I really had the chance to experiment with my craft, so my creative ability matured in whole”, A Lew said. Analyzing the heavy hitters in the game right now, its evident that one project does not suffice as enough to claim “you’re on your grind”. Taking that under consideration, Lewins has teamed up with another local artist, Bronze Cat for an EP that is set to release at the beginning of the New Year (1/01/2011).
The Grey Area is the new EP that will be released by A Lewins and Bronze Cat. Ironically, the first time Lewins and Bronze had collaborated was during the time of the attempted murder of Ebonikz. Bronze’s manager introduced Lewins to the newest track he had been working on with his eclectic artist. “Twist something up” gave a tale of a person who was experiencing hard times and navigated his way through the precarious situations by “putting one in the air”. Lewins, filled with countless emotions at the time, fell in love with the track and laid a verse. Months later they did another collaboration for “roll up” produced by The Olympicks, which is one of the hit singles from The Prelude. After receiving a remarkable response from listeners, it cajoled the two artists to construct a project together. The Grey area is a five track EP, giving fans a compare and contrast approach for lyrics, style, and background of the artists. “Me and Bronze Cat both come from two totally different walks of life so it gave both of us a chance to learn new things and provide the fans with something fresh. Career wise it allows me to reach a new market and expand my horizons”, A Lew said. Fans should expect to have a blend of music constructed by the minds of a black and white artist coming together to make one amazing sound, hence the title Gray Area.
With every project, Lewins is bringing his ability to the next level. The Prelude definitely marked the beginning for future work such as The Grey Area. Only time will tell what Lewins has been cooking up in the studio for his next project.
Nate Dogg, legendary musician from Long Beach California has passed away at the age of 41. Word rocked Los Angeles that one of it’s community’s own has died, and sadly like so many before him, too young. Nate Dogg dying has us thinking some of the singer’s biggest hits including the eternally catchy Regulate with Warren G, Lay Low with Snoop Dogg and the above unreleased track “One More Day” during the Death Row days in the 90’s.
Little is known now as to the cause of death of Nate Dogg, born Nathaniel D. Hale, other than the fact that the talented musician had a stroke in 2007 and in 2008.
The hip hop nation has lost another gifted soul. Fresh after the world marked the
All we know for right now is Los Angeles radio, specifically 97.1 FM, has reported that Nate Dogg is dead. I could imagine how all his past collaborators feel such as Dr. Dre, Snoop Dogg, Warren G, 50 Cent, Ludacris and many others who he helps provide hit records for in the past.
Listen to the Tribute to Nate Dogg – The Best Hooks in the Game:
When I decided to listen to MoShadee’s “Grove Street” album I did not expect for it to infuse so well into my setting. For those who indulge themselves in rolling twenties, “Grove Street” is a gift for you.
MoShadee is consistent and lyrically competent, two key elements that produce his feel good sound. From the gate it is evident that MoShadee is not just rapping about the blatant bullshit (money, cars, and hoes) that many mainstream artists convey. Even the ladies can vibe out to the Grove, it’s just that smooth and for hours now I have been listening to each song reinforce the last, this shit mean!
There is a strong essence of the 90′s throughout the album, which I appreciate (Thank you MoShadee). It is surely “lay back chillin”, relaxed rap. Just about each song is reminiscent of an experience or two that I have encountered. The last track Quasar was the least likely played song on the IPod. I just was not feeling it, but that’s cool because fourteen tracks out of fifteen were on rotation, including the intro. When I got to track 11 The Come Up, I drifted into nostalgia. That song is my childhood in a nutshell. The Come Up samples Lauren Hill’s Sweetest Thing instrumental, which is a classic. The music alone on the album has so much muscle. The music has been pulled from so many genres; there are influences from Jazz, R&B, and Soul. When combined with MoShadee’s lyrics a potent product evolves.
New music is always suspected and more often opposed with no other reason but because it is not already common. I believe in this type of music. I appreciate this movement of rap music that is not so aggressive and negative. Music has been interpreted in various ways and the point is to change it for the better. MoShadee’s, “Grove Street” album directly reflects that concept. – Ceora Hill
GSHH Top 3:
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By: Shah A. (
By: Rodney Coursey
Becoming increasingly disgruntled with life as a “blue collar” worker, Dane used burglary as refuge for his frustration. His sinful ways caught up with him, leading to a conviction of felony burglary, a five year probation sentence, and one week in jail. The ordeal would change Dane dramatically and he solemnly swore to never be in trouble with law enforcement again. He enrolled himself into Berkeley College as a business major and successfully completed three semesters on the Dean’s list while adding long time friend John “Johnny Boy” Morris to the A.C.R.C. family. Johnny Boy’s enthusiasm reassured Dane of what the A.C.R.C. could potentially be with more dedication. Subsequently, Dane decided to leave college to concentrate more on his passion.
By: Shah A.
By: Rodney Coursey
I guess 
By: Shah A.
By: Rodney Coursey
Kwab’s EPK came as a bit of a shock to us at GSHH, anticipating the typical sound and vibe found in many underground Hip Hop artists today; Kwab offered a refreshing change. For that reason alone we are excited to bring you this brief preview on what you can expect from him on his next project.
By: Shah A.
SlowBucks is a platform designed for unsigned artists to get prepared, educated, and guided on the whole process of dealing with a label. Both Slow and Bucks gave their depiction on the game and how a lot of artists who are novice to the mechanics of the industry unfortunately fall short because they are not knowledgeable about the different aspects of the music industry. The website gives artists an opportunity to market and promote their music as well as themselves as artists at an affordable rate. While both give respect to other sites who offer parallel services, Slow and Bucks stress the fact that they are aiding artists from a financial standpoint as well as giving them an opportunity to gain full exposure for their music projects; solely giving focus to them and not being over shadowed by aspects that do not relate back to music on the site. In fact, SB just finished their first of many contests in which the artist wins $100,000, which is part of their Artist Development deal. Up and coming rapper J-Lie was the first winner and in the next three months SB will be picking another lucky artist for this competition. If that’s not enough SB is also giving striving artists a chance to be featured on an official mix tape released by SlowBucks, which will be hosted by a big name DJ.
June 17, 2011 marked an historical date for rapper Alph Ghost. The Manchester, New Jersey native found himself the center of attention at the infamous Stone Pony in Asbury Park. Greeted by inquisitive fans pondering over what songs he would perform, Ghost took a deep breath and began one of the most important shows of his career thus far.
By: Rodney C.
By: Rodney C.
By: Jon Edwards
